Editorial Reviews: They mean a lot to authorsI

Recently excited about the latest editorial review. The thing about editorial reviews is that they are written by people in the industry. Their critique and praise are both helpful and sought after. They gain a place where people will listen and consider.

The following review is written by Anne Hollister

So far Ian’s Realm, the concept film, has been accepted into 4 film festivals but there are many more pending. I will keep you up to date.

D.L. Gardner’s Ian’s Realm Saga

ABOUT D.L. GARDNER: https://www.gardnersart.com/

Ian’s Realm Saga books 1 – 3

The wide-ranging scale of D.L. Gardner’s Ian’s Realm Saga, encompassing three books, pays tribute to Gardner’s imaginative powers and ambition. Though devotees of epic fantasy will recognize a number of familiar genre elements built into the plot, Gardner succeeds in distinguishing her tale from past offerings in this vein thanks to the emotion she’s able to elicit from readers and the fully realized clarity of her fictional world. She labels the three books as “parts” in this collection – the first, Deception Peak, the second Dragon Shield, and the concluding third part Rubies and Robbers. One of the many strengths of the book lies in the coherence of its construction – Gardner’s aptitude for cinematic grandeur in a literary vein and understanding what makes epic fantasy work is unquestionable.

Some will notice overwrought prose scattered throughout Ian’s Realm Saga, but it isn’t the result of an amateurish approach to writing. Instead, I read these moments as manifestations of Gardner’s passion for the work. She sometimes tries too hard to ratchet up the intensity rather than trusting in her tale, but her wont to do so works in favor at some points. Some will fault her for relying too often on overworked dialogue tags. These are far from fatal flaws however and, moreover, often staples of the genre in the case of the last point regarding dialogue tags. She manages a large cast of characters and imbues an impressive number of them with three dimensional attributes rather than reducing the minor participants into cardboard glorified plot devices.

The narrative spends some time alternating between our modern world and Gardner’s fictional creation. Gardner excels balancing two different landscapes where other writers might fall short. The titular figure Ian is, in my estimation, the most successful character in a book full of such achievements. He fulfills many, if not all, of our expectations for such a work – Ian begins the book grieving, but he evolves and changes throughout the course of the three books and ends the work transformed by his experiences.

She imbues the tale with a real sense of adventure and her aforementioned imaginative powers make fictional landscapes leap out from the text. She shows a sure hand with the story’s action sequences as well. There are many fine examples of her talent with this, but my favorite comes in the final part with the chapter entitled “The Battle of Eastern Ridge”. It is a success due to many factors, but above all others is how her descriptive powers bring the scene into focus for readers. It makes for gripping reading.

The use of artwork throughout the book, including the map before the story begins, brings a welcome added dimension to Ian’s Realm. The digital copy I read is professionally assembled and never a chore to follow. I feel satisfied with the story’s inevitable conclusion and it, once again, demonstrates her innate understanding of what makes epic fantasy work for readers. The genre has abiding appeal, evidenced in recent years by the popularity of such fare like HBO’s Game of Thrones, and any lover of the style will find much to admire and enjoy in D.L. Gardner’s work.

PURCHASE LINK: https://www.amazon.com/Ians-Realm-Saga-Trilogy-Books-ebook/dp/B01HHOM1XU

Anne Hollister

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A Scavenger Hunt!

Welcome to Making Believe, the blog of fantasy author D.L. Gardner! I hope you are enjoying the blog hop scavenger hunt, and that you’ll come back and visit again!
My novel Ian’s Realm Saga is one of the prizes for this contest. It’s three books in one, and tells the tale of a reckless teen who enters a portal to another world, is thrust into a conflict with dragon worshipers — and an epic battle between good and evil… A magical fantasy collection which we are in the process of filming! Take a look at Ian’s Realm film page when you have a chance.

And now for the scavenger  hunt!

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FSF Readers Lounge Presents its first ever Solstice Scavenger Hunt. Running from June 16th to June 29th – 19 authors joined forces to offer readers a chance at $75 cash via PayPal and 19 eBooks as a Grand Prize! 38 secondary prizes (an eBook from one of our participating authors) will be given to randomly chosen participants with the correct answer.

To play for a chance to win you must go to each of the authors sites listed below, collect the “hidden” word(s), unscramble them, and then enter to win! Enter Here

Entering does not enter you into anything! You have the option to choose who to subscribe to and who to follow – the only requirements are 1- you must follow the Facebook page for the Readers Lounge in order to get the winners announcement and -2- use the link to enter the giveaway, but I hope you choose to follow the wonderful authors participating in this hunt!

$75 Cash via PayPal

eBooks up for prizes:

A Bit of Magic
Azimuth
Bonded
Curse Breaker: Enchanted
Dragon Blood
Elven Jewel
Forever People
Ian’s Realm Saga
Schrodinger’s Cat
Shadow’s Hand
Sleepless Flame
Tattoos
The Fox and The Hunter
The Glass Gargoyle
The Hand of Atua
This Cursed Flame
Witch’s Moonstone Locket
Wolves’ Gambit

Make sure to visit all the sites to gather all your words! Happing Hunting!

Rennie St. James
Maria Andreas
Selina J. Eckert
Linn Tesli
Marsha A Moore
Kasper Beaumont
PJ MacLayne
D.L. Gardner
Katie Cherry
Dora Blume
Odin Oxthorn
Charity Bradford
Eileen Schuh
Noelle Nichols
Alison Lyke
Mae Baum
Melinda Kucsera
Stacy Overby
Cheryllynn Dyess

the
____________

Rafflecopter link:

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It’s here!

It’s here. I cannot tell you how wonderful Jeff Stillwell has done with the character of Dylan. His performance actually brought tears to my eyes! If you have ever known someone with special abilities, you will love this story. I wrote it in honor of all the wonderful people I had the privilege of serving when I drove ACCESS for Kitsap Transit. Dylan is a combination of many of the personalities I met, and his story is not uncommon. Yes he has magic, but the magic is his treasure, that which makes him special, and which he learns to develop as he ought. Thank you Jeff for doing a wonderful job narrating this tale. The screenplay adaption is running the film festival circuit and has won 2 Best Screenplays awards already. Please check it out!

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Honor, Courage, Integrity

Through the years I have had relations with different members of various historical and reenactment groups. Had I known about such societies when I was younger, and the great advantage of being associated with them, I would have pursued the opportunity diligently.

I cannot praise these people and their organizataions enough. Just this weekend I had the privilege of being a merchant at an SCA Faire. What a wonderful, kind and caring group of people!

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I believe that the three virtues I titled this blog: Honor, Courage, and Integrity are not something that simply shows up in your life. I believe these virtues come from long hours of development much as one would develop muscle tone through exercise. There’s a line I wrote for Aren in Ian’s Realm a few years back. “Integrity isn’t something you do. Integrity is who you are.”

Sadly I am only an outsider looking in. What I see takes my breath away. I see people studying history. I see them taking cultures and daily life hundreds of years ago and relearning lost arts. I see them not only learning how our ancestors lived, but the heart of what once was.

Our souls develop when we work with our hands, and not just work with them but create objects with love and care and tenderness. Have you ever been in awe at buildings that were created hundreds of years ago? Were you ever amazed at the clothing women wore in the 16th and 17th century when they not only sewed their clothing by hand, but raised the sheep, spun the wool, and wove the material to make them, and then added lace and hundreds of buttons and fine woven gold threads, and patterns we rely on machines to create today? Have you ever wondered about the hammered steel or leather armor that men wore to protect themselves, gathering from raw resources.

Image result for antique hand carved staircase

How about the beautiful tents that people used? How sufficient they were. How unworthy my little modern day pop up tent is compared to the tents that these people construct with their hands. Do you ever wonder about the process. The meditation and creative energy necessary to build something like that?

Society for Creative Anachronism is a society that demands that its people do the research, find the roots of what they do and remake what once was. Oh that I had started years ago to join them.

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You see, it’s not just about the art. That in itself is honorable, but there’s more. What mankind has lost is the art of pouring oneself into not just his survival, but his survival with a high quality of life – Not a vegetable relying on a machine to feed and clothe it which is nothing more than a shallow existence generating all sorts of mental and physical problems.

I give these people all my respect. They find the worth in touching the elements, in living life to its fullest. In using every thread and every hour to its utmost potential. And from this wholesome way of life come some of the deepest, sincere, courageous and honorable people I have ever met.

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Ian’s Realm

Our movie

Don’t forget to give Ian’s Realm on Indie Short Fest a thumbs up! The film is making the circuit, gathering fans like a snowman so we can film the feature film titled Deception Peak…and then go on to do Dragon Shield and Rubies and Robbers…and then Layla…oh yes! Please like, share on Facebook and Twitter. Thanks!

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In Defense of Dylan

As some of you may have heard the screenplay I wrote adapted from my novel concerning a young autistic man who has magical abilities just won two “Best Screenplay” awards in two separate film festivals. I’m thrilled, of course. I have to admit I don’t post the festivals which reject the screenplay. I like to focus on my successes, but I do take into account where I can do better and one such festival offered an extensive critique on the story.

I’ve had others critique the story as well and I have made changes, of course. Editing is a continual process and where my work is weak I want very much to make it stronger. But we must always consider the critique, and use our own judgment sometimes. That’s why I’m writing in defense of Dylan.

For those of you who have read the story, thank you. For those who haven’t there might be a few spoilers here for you, but I don’t think it will ruin the story. This will be more of a character analysis self-review.

Most of the criticism I’ve had concerns the antagonists in the story. Aunt Agnes, and Dylan’s mother Emma. I did not ‘stereotype’ these people. Dylan is a young man whose character I modeled after many passengers I drove while working for our local ACCESS bus service. I purposefully set Dylan in a hostile family environment. Why? The reason is part of the story’s message.

We, as a passionate people, would like to think that the entire world is sympathetic to autistic children. That is a misnomer. As far advanced as our society has come, and as aware as counselors, schools, teachers, and parents have become, there are still children and adults that are mistreated for their weaknesses. I have seen it with my own eyes, and have written this problem into the novel. I was quite conscious of how my passengers were treated at home, and the way they responded. Those from good homes were well cared for, working, and functioning as well, or better than many people who don’t have challenges. But the people who are not in healthy homes, who are institutionalized, are mistreated, had fears, anxieties, and outbreaks unaddressed.

Dylan borders the two. He lived until 12 years old with his mother in an abusive environment until the social workers discovered him, took him away and his loving uncle (brother to Dylan’s mother) adopted him. Those 12 years gave him enough trauma that kept him from functioning as he could have. While living with his kindly Uncle Jim, Dylan was able to come out of his shell somewhat, finish school, help his wheelchair-bound uncle, and learn how to cope with daily life.

Aunt Agnes tries to be kind, but she’s overloaded with responsibilities taking care of her drug addicted sister, her spoiled daughter, and then her brother’s death slaps the responsibility of  Dylan in her lap. She’s not ready for it and so she looks for an easy answer. A boarding home. It’s an adult boarding home because Dylan is an adult. There is nothing legally binding Dylan to this home. His aunt pays rent, that’s the only thing keeping him there.

Dylan’s mother, on the other hand, is angry, bitter and a meth addict. She may look like the worse villain any story could have, but I have lived around meth addicts. What she does is nothing out of the ordinary for someone whose mind is imprisoned by street drugs.

There are many issues I wanted to address in this story, and for those who understand I think I’ve succeeded. I inserted magic, because it’s the magic that Dylan hangs on to in order to stay sane, until Liona comes into his life.

Thanks for bearing with me. I’m thrilled about the awards and I’m equally thrilled about the audio that talented Jeff Stillwell is making for me. Take a peek at this little sample I made up. It takes place when Dylan is at his wits end, missing his beach home with Uncle Jim where he used to take solace in nature. You can pre order the audio here.

For those who have read my other works, you’ll know I always have characters that are flawed. I don’t care if they are supposed to be a role model. Ian’s dad in Ian’s Realm is one character some people disliked, and disliked the story because of him. But not all people are perfect and not all parents are perfect parents. I refuse to paint a golden picture to boys whose fathers skipped out on them because those boys won’t believe a word I say if I do.

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OWSCyCon Fantasy Blog Tour on Worlds

About The OWSCyCon Fantasy Blog Tour

As part of the OWS CyCon 2019, we asked our fantasy authors to write about what makes their world, or the world of another author unique. Each of them has come up with very different answers which reflect their writing processes, their research methods, and their views on world building.
We hope you find these insights interesting, and that they maybe give you some new things to think about when you pick up a new book, or even start writing your own.

My insights will be posted on Debbie Manber Kupfer’s site “Paws4Thought”

After reading this interview, be sure to check out the responses from our other fantastic writers:

Spiritualism, Odic Force, and No Rest for the Wicked
By Phoebe Darqueling

Anyone who spends time honing the craft of writing knows that there really are only a handful of types of plots. The creativity of an author and uniqueness of a book really comes through in the details, and we all draw from different inspiration. I for one just adore the “bad science” of the 19th century and often use it as a jumping-off point in a lot of my work, but especially in the Mistress of None series. The people who came up with the things we think of now as quackery were completely convinced of the validity of their findings (or at least were really good at convincing others), which means there is some kind of logical framework in place.

I often describe No Rest for the Wicked as historical fiction with a paranormal twist. All of the historical facts are true, but ghosts are real, and unfortunately for the main character, they are also very chatty. Spiritualism was all the rage in the 1870s, especially in America following the Civil War. People were extremely worried about the outcome of the souls of the departed soldiers, who usually died far from home. In those days, a “good death” meant to be surrounded by family members. Many soldiers carried photos of their loved ones and made promises to each other to spread them around the bodies of the fallen.

Spiritualist beliefs are at the root of much of ghost lore, though many of the “facts” about how ghosts operate have evolved since then. For instance, a popular trope in contemporary ghost stories involve a haunted house. Ghosts in popular literature and movies today are usually angry or sad, and most often tied to a particular place. And while Victorian era homes were also a popular backdrop, spirits to them were much more mobile. Mediums potentially acted as conduits to any deceased person, even those who were resting comfortably beyond the grave. A séance may have been conducted in the home of someone who died, but often they were done in the medium’s parlor.

In the Mistress of None series, I wanted to blend these sets of beliefs. My ghosts can go anywhere they want, but they are limited to traveling at the same speed as the living. They may still be among us because of a surprising or tragic death, or because they have some kind of business that needs finishing before they can let go of existence. The cohesion of the ghost is determined by a number of factors, such as time since death and strength of their resolve.

Which brings us to our second piece of 19th century “science.” Though you have likely heard of hypnotism and Mesmer’s “animal magnetism,” you’ve probably never heard of Baron Carl von Reichenbach. He was a German industrialist who became enthralled with the study of sleepwalking and night terrors. He went from town to town around his mining holdings around the Danube to talk to families about these afflictions, and came up a theory about the ways sunlight and moonlight affected the brain. As his study evolved, he proposed what he called Odic Force (named for Odin, the “all father”), a type of energy on par with electricity and magnetism. But unlike the other energies, Odic Force permeated everything. Different substances acted as conduits and dampeners, and only specific people could sense its presence and see the different colors it would manifest.
This is where we got the term “sensitive” for people like mediums who could communicate with the dead, though Reichenbach himself didn’t use it in this way. For him, it was all about energy exchange and invisible forces, but I was immediately struck by the possible connection to how ghosts might work. In the world of Mistress of None, my ghosts are made up of residual Odic Force, which they use to draw in aether (another wonderful 19th century invention) and form a body. Through concentration, or more often very strong feelings like rage and despair, they can pull in additional energy from things around them and become more solid. This is why the temperature can drop in a ghost’s presence and it feels cold to walk through them.
I decided to take von Reichenbach’s ideas one step further and apply it to mediums. Even if you’ve never participated in a séance yourself, you’ve probably seen them portrayed in movies and tv. Inevitably, the people seated at the table take each other’s hands before the ghost will appear. So in No Rest for the Wicked, Vi has to be very careful of making skin to skin contact with people, and the energy can pass through anyone she is touching to anyone they are touching. She has an abundance of Odic Force coursing through her, which can attract ghosts and make them more solid as they draw from her. There are also certain substances that can inhibit the transfer of energy and reduce a ghost to a puddle of mist until they can pull themselves back together. Vi’s troubles all begin with ghosts, but as the series progresses she discovers many different facets of her relationship with Odic Force.

Even though more recent research has poked holes in the beliefs and findings of the people in the past, it’s a wonderful resource for inspiring fiction. If you are interested in different beliefs and studies done surrounding the spiritual world, I highly recommend Spook by Mary Roach. She has a wonderfully accessible writing style and covers a huge range of topics.

And if you want to read about a 19th century con woman who can speak to the dead, you should check out No Rest for the Wicked. There are reviews, excerpts, and more guest posts over on my website, where you can also grab a free copy of The Steampunk Handbook by subscribing to my email list. It’s designed to be a resource for readers and writers who love the steam era as much as yours truly, and it’s full of chapters on history, culture, and recommendations for books and movies.

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About Phoebe Darqueling
Phoebe Darqueling is the pen name of a globe trotting vagabond who currently hangs her hat in Freiburg, Germany. In her “real life” she writes curriculum for a creativity competition for kids in MN and edits academic texts for non-native English speakers. She loves all things Steampunk and writes about her obsession on SteampunkJournal.org. During 2017, she coordinated a Steampunk novel through the Collaborative Writing Challenge called Army of Brass, and also loves working with authors as an editor. You can also find her short stories in the Chasing Magic and The Queen of Clocks and Other Steampunk Tales anthologies so far, with three more short stories coming out before the end of 2019. Her novels, Riftmaker and No Rest for the Wicked, are available now. She’s an equal opportunity Star Trek, Star Wars, and Firefly fan, but her favorite pastime is riffing on terrible old movies like in Mystery Science Theater 3000.
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